Giorgia Lupi – L’umanesimo dei dati / Data Humanism
Contributed by Dario Manzo
Source: www.pentagram.com License: All Rights Reserved.
L’umanesimo dei dati / Data Humanism is the first solo exhibition dedicated to the work of information designer and Pentagram partner Giorgia Lupi, curated by Associazione Illustri and hosted by Gallerie d’Italia in Vicenza.
The exhibition explores Lupi’s approach to data as a human language, transforming numbers and information into visual narratives rooted in stories, behaviors, and personal experiences. Through environmental graphics, posters, and communication materials, the exhibition identity creates a coherent visual system designed to guide visitors through the complexity and richness of her work.
Developed by Francesco Poroli together with Giorgia Lupi, the exhibition graphics are built around a typographic system featuring three typefaces by Zetafonts: Unigeo, Calvino Grande, and Blacker. Their different personalities work together to create a balance between clarity, rhythm, and expression across the exhibition space and its communication assets. The typographic palette supports the exhibition’s goal of translating complex information into accessible and engaging visual experiences.
L’umanesimo dei dati / Data Humanism celebrates the intersection between design, data, and human stories, showing how visual communication can transform information into meaningful narratives.
Source: www.pentagram.com License: All Rights Reserved.
Source: www.pentagram.com License: All Rights Reserved.
Source: www.pentagram.com License: All Rights Reserved.
Source: www.pentagram.com License: All Rights Reserved.
Source: www.pentagram.com License: All Rights Reserved.
Source: www.pentagram.com License: All Rights Reserved.
Source: www.pentagram.com License: All Rights Reserved.
Source: www.pentagram.com License: All Rights Reserved.
Source: www.pentagram.com License: All Rights Reserved.
Source: www.pentagram.com License: All Rights Reserved.
Source: www.pentagram.com License: All Rights Reserved.
This post was originally published at Fonts In Use